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Politics in Our Movies: From 'Mr. Smith' to 'Casino Jack'

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All across America this lame-duck congressional season, we're driving past malls or walking down Main Streets where theater marquees offer two major motion pictures "about" politics: "Casino Jack" starring Kevin Spacey and "Fair Game" starring Sean Penn and Naomi Watts.
But the truth is, every movie is "about" politics.
Every work of art creates a vision of reality and rules for that realm. Even when a movie is not a fact-driven documentary, what's on film are "people" making choices of conscience and circumstance. On some level, choice always involves politics -- and that includes the choices of art.
Our Founding Fathers recognized this in our Bill of Rights with the First Amendment, our protection against censorship that dictators from right-wing Hitler to left-wing Stalin to their modern-day heirs enforce with self-serving homicidal ruthlessness. Control people's vision and you control people.
Consider our most successful movie franchise: "Star Wars" portrays rebellion against tyranny. So what if we're unlikely to encounter Jabba the Hutt at city hall, "Star Wars" screams human politics, even in Wookiee. America's real political spin masters spend millions of dollars to develop "Jedi mind tricks" to convince you these are not the candidates you're looking for.
"Casino Jack," the story of lobbyist Jack Abramoff, got a "reality boost" this week when a federal jury found his "Team Abramoff" associate Kevin Ring guilty of five counts of bribery-related crimes for the kind of wheeling & dealing that ruled Washington only a few TV seasons ago. Ring brings to 19 the number of Washington power players nailed by corruption-investigating lawmen -- including Abramoff, Congressman Bob Ney (R-Ohio), and Steven Griles, a deputy secretary of the Interior.
"Fair Game's" plot centers on the saga of former ambassador Joe Wilson, who challenged claims that Iraq had acquired Niger yellowcake uranium to make atomic bombs, and his wife, former CIA covert operative/executive Valerie Plame. She had her secret identity as an American spy "blown" in astonishing D.C. power politics that earned Bush White House aide I. "Scooter" Libby a four-counts criminal conviction with a 30-month prison sentence later commuted to a $250,000 fine and two years' probation by President George W. Bush.
Leave aside questions of accuracy versus provability versus creative license necessary to make any story work as a movie. Both these movies try to give a sense of politics in America by "fictionalizing" our yesterdays.
Leave aside, too, charges of partisanship: yes, players involved in both films are probably "liberal," but that focus leads to the modern misconception of "liberal Hollywood."
True, Democrats tend to get far more campaign donations and support from "Hollywood stars" than Republicans, but film production companies and studios are for the most part owned by major corporations and Wall Street -- entities not famous for supporting liberals or the Democratic Party.
Plus, the most politically successful Hollywood stars have been President Ronald Reagan, NRA leader Charlton Heston, and California Gov. Arnold Schwarzenegger -- not one of them a liberal, let alone a Democrat.
Actual partisan, propaganda-like preaching in movies makes for boring, often wretched movies. Despite some heartfelt performances, some good action, and honorable intentions, both the right-wing-promoting John Wayne (I'm a huge fan) movie "The Green Berets" and the left-wing fist-pumping movie "Billy Jack" are painful to watch. And thus, political failures.
Some movies, especially "bio-pics," are obvious "political" films: "JFK," "Nixon," "Invictus," "W," "Gandhi," "Malcolm X," "Norma Rae." Bio-pics tend to be mirror movies: we watch them and see reflections of politics we believed before we bought our ticket.
Other movies create fictional political clones like "The Seduction of Joe Tynan" and "The American President." The closer these movies stay to the humanity of the politicians and the nitty-gritty of how things get done, the better they are.
Political movies are often allegories, what-if, or the bones of history stories: "Brave New World," "Lord of the Flies," "1984," "Reds," "The Grapes of Wrath," "Dr. Zhivago" and the masterpiece "Dr. Strangelove: or How I Learned to Stop Worrying and Love the Bomb."
Often politics serves as a background for "thrillers" that almost by accident reveal political insights the audience absorbs as the movie excites them, like in "Seven Days in May," Frank Sinatra's "The Manchurian Candidate," and "Casablanca."
Politics plays out in every movie genre. Every movie about war -- that "extension of politics by other means" -- is as the quote says, though films like "Paths of Glory" excel at showing politics as trench warfare. Spy movies now tend to be FX (i.e., special effects)-driven "global cop" movies, though films like "The Spy Who Came In From the Cold" and "Spy Game" require us to view the world with political eyes. Some of America's best "political" movies are westerns, such as when John Wayne, Jimmy Stewart, and Lee Marvin embody the value and price of the rule of law in "The Man Who Shot Liberty Valence." "High Noon" is the ultimate cinematic lesson in the costs of citizenship, conscience and civic duty.
Unfortunately -- I will name no names -- we too often get our perceptions of politics shaped by movies that are cloud creations:
The handsome senator. A busty blonde reporter. A murdered witness. The money-grubbing lawyer. The crusading lawyer. An innocent bystander. That mistress. This wife. Sleazy lobbyist. Ruthless prosecutor. The president who will or won't. An impure Supreme Court justice. The conspiracy of Powerful People. Government agencies with initials and guns.
Some Hollywood storytellers toss such clichés into the sky to create a cloud, then hope the movie rains box office dollars. Whether a cloud movie is or is not a hit, it clouds the minds of whoever sees it with clichés and false impressions about the politics of their own lives.
Of course I've got a list of 10 significant movies about politics -- and in the best of American political traditions, the list will probably make you disagree and choose for yourself.
"Mr. Smith Goes to Washington." Who cares if it's black & white corny, Jimmy Stewart captures all that's right, good and decent about the American dream -- and the responsibilities of being a citizen.
"A Clockwork Orange." A violent, surreal disturbing movie far from Jimmy Stewart country, this Brave New World-like masterpiece from an Anthony Burgess novel uses its own acid trip language to challenge our emotions about the most fundamental component of politics: free will.
"Chinatown" takes us into a noir world hiding in America's political shadows with Jack Nicholson playing a quintessential American ronin private investigator who pays the price for refusing to look away.
"Z is the harrowing quest of a public investigator searching for truth in the darkness of an official story, a prosecutor who runs afoul of an Army coup."
"All the King's Men" with Broderick Crawford cloning Huey Long into the fictitious Willie Stark created by novelist Robert Penn Warren is textbook perfect in its portrayal of this how things get done process we call politics.
"All the President's Men" is the thriller-paced dramatization of the politics and journalism behind Watergate crimes that caused the only resignation of a U.S. president.
"Charlie Wilson's War" shows how to succeed in politics and have a whole lot of fun, while at the same time the movie reveals Cold War politics that helped put our soldiers in Afghanistan today, plus gives a superb glimpse of the day-to-day workings of Congress.
"Wag the Dog" with Robert De Niro and Dustin Hoffman brilliantly portrays how a spin doctor wields a president's will with wild, no holds barred tactics, a concept akin to real firms working in "perception management" credited with helping to "sell" our invasion of Iraq.
"Election" is a comic truth-telling autopsy of politics set back in the fundamental formative experience of all Americans: high school.
"Thirteen DaysThe Missiles of October." Think of these two movies as one: the story of the Cuban Missile crisis, a collisions of politics where the stakes were saving our entire planet.
What more is politics about?

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12 Comments

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jonesnj529

So your telling me that the movie Pineapple Express is about politics? How about Pulp Fiction? Tropic Thunder? Saving Private Ryan? Terminator? The "politics" you refer to are called human emotions, in case you don't know what they are, and EVERY movie has those. Political writers should never watch films, since they have no concept of how they work.

November 20 2010 at 3:28 PM Report abuse rate up rate down Reply
punnster

For decades, Hollywood has fostered the Liberal agenda in their movies. They have been manipulating gullible Americans all that time. No big deal. The majority of Americans do not consider Hollywood to be anything but entertainment, not to establish their values.

November 20 2010 at 2:53 PM Report abuse -1 rate up rate down Reply
richardwmmak

Re: Fair Game Please note: 1/ This film starring order is Naomi Watts and Sean Penn. 2/ This film is about the story of Valerie Plame, and her husband Joe Wilson. It centers on the female, not the male character.

November 20 2010 at 2:43 PM Report abuse -1 rate up rate down Reply
alexander

I feel one of the most important movies showing the true nature of the combination of how money begats power that begats corupt political manipulation that leads those in power to think they are invincible is the TV miniseries that was taken from a novel I believe was named "The Captain And The Kings."

November 20 2010 at 12:49 PM Report abuse -1 rate up rate down Reply
Ann

Everyone should see "Fair Game." I am still trying to find out why it has not been distributed to all theaters. Only in small run down theaters. We found in only one theater in MN. Why???? We have many large, modern theaters. Why not them?

November 20 2010 at 12:43 PM Report abuse -2 rate up rate down Reply
1 reply to Ann's comment
janwagz

Because noone really wants to see it...

November 20 2010 at 2:57 PM Report abuse +1 rate up rate down Reply
Pathfindr369

My top 5 would prbably be: -Seven Days in May -The Manchurian Candidate (The one with Frank Sinatra and Lawrence Harvey) -Dr. Strangelove -A Face in the Crowd -Mr. Smith Goes to Washington -Meet John Doe -All the King's Men -You Can't Take it with You (actually, almost any Frank Capra Film) -Sleeps ( the Woody Allen one) -The Missles of October (definately not 13 Days) Okay, I know there are more than 5, but I couldn't help my self

November 20 2010 at 12:00 PM Report abuse rate up rate down Reply
Booba20

I actually read this with interest. This piece did not quote from headlines from writers per uaual on PD. You can always read the first and last paragraph of most of the writers and know which liberal point they tried to snow you with by all the fluff between. But to me this was a little different. I have never been too concerned with the movies by liberal Hollywood types; because they cannot hide there bias no matter what, and one can see right through. Most of the time all you have to do is look for the star actor. If the Sean Penn types are in it then you know to just brush it off. But I have never really thought about the scope this much before. There seems to be some agenda type movies coming out all the time but to look at the big picture with them grouped to see.... hummmmm interesting.

November 20 2010 at 11:27 AM Report abuse rate up rate down Reply
janwagz

Couple of statements above I would argue with..."True, Democrats tend to get far more campaign donations and support from "Hollywood stars" than Republicans, but film production companies and studios are for the most part owned by major corporations and Wall Street -- entities not famous for supporting liberals or the Democratic Party." But, check out the campaign donations in '08...Obama was the winner from Wall Street, so this is a mis=represented fact. We are led to belive this. Also, it says that California Gov. Arnold Schwarzenegger, is neither a "liberal or a Democrat". He may not be registered as a Democrate, but he's more liberal than conservative. Guess you might call him a RINO.

November 20 2010 at 11:27 AM Report abuse rate up rate down Reply
freedomwomann

You forgot the 'comedy' with Eddie Murphy, "The Distinguished Gentleman." It's practically a primer on how elections work. And lobbyists. I know, I used to work in politics.

November 20 2010 at 11:17 AM Report abuse rate up rate down Reply
ettu

Political comments have been made in most audio/video presentations for as long as I can remember, and I am 68 years old. Watching the older and current sitcomes, movies, talk shows, etc., there is hardly one episode that did not show the bias held by the producers/actors.

November 20 2010 at 11:00 AM Report abuse +2 rate up rate down Reply

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